I've been a keen karate student for 16 years, Shukokai and Shotokan, but there still seems to be no shortage of things to learn and explore. I'm hoping this blog will allow me to share my experiences and hear other martial artists thoughts.

Archive for Kubiwa

Learning to to see the whole picture

In Chris Denwood’s excellent book ‘Respecting the Old, Creating the New’ there is a Chapter called ‘Transitional Aspects of Kata‘. When I read it a couple of weeks ago late on a Friday night the mental fatigue from time spent on the day job drained away and the excitement of some fresh aspects of Karate to explore and understand further replaced it. What I took from the Chapter was the value in looking at everything held in the kata which includes the movements that connect the techniques.

Thinking about that idea in relation to the first Shukokai kata I learnt, Shiotsuki No.1, made me think about a video I’d seen of Keinosuke Enoeda demonstrating Kuzushi Waza. In Shiotsuki No.1 after a down block, gedan barai, you step forward with a punch to the body, chudan tsuki. I’d understood that the stepping movement brought the added shift of body weight to the punch but perhaps that doesn’t make full use of using the knee at the end of the step to strike the opponent and disrupt their balance.

It also got me thinking about about the crescent shaped path of the stepping foot we use in Karate. This was emphasised in my Shotokan training as being important in preventing unnecessary rising of the body when stepping. And I love the feeling of that strong forward motion. But maybe that motion also allows the foot to manoeuvre round lower leg of your opponent to  place you leg behind theirs to have the option of a throw like Byobudaoshi (to topple a folding screen) or Kubiwa (to encircle the neck).

I’ve deliberately used ‘perhaps’and ‘maybe’ above as I could be on totally the wrong track but they were thoughts that struck me and I’ve enjoyed taking a bit of time to see how they feel when I try them out in a bit of solo practise. Even on a frosty December night it was good to spend a bit of time seeing how different combinations from the variations of Shiotsuki seemed to work with a free standing bag as the focus.

So I find myself very thankful to Chris for sharing his thoughts and suggesting a different way to look at kata and find new applications to practise.

Has anything given you a fresh perspective on Karate recently?

Me, Myself and I…Day 5

I grabbed a quick half an hour to practise a few things on the bag.

Continuing the theme of awareness that has come into focus this week I started off by ‘seeing’ an attack from first the front, moving and blocking and then hitting the bag with a counter strike and then repeating for the right hand side, left hand side and rear. I was imagining the strikes were normal attacks you would imagine a non-martial artist might throw so a face punch, swinging hook like punch etc.

It was interesting to start to get a bit of a feel how I preferred different responses to attacks from different directions particularly from the right and left hand sides. I then worked on taking my response beyond just a single counter for frontal attacks. My bag is mounted on a sprung base which means I can grab hold of it and pull it down onto knee strikes and practise trying to get a bit of a grip for some throws like Kubiwa (to encircle the neck).

It did bring to back to my mind an exercise we used to do at my old Shotokan club. We’d open up one of the fixed kumite routines to give us the choice of any counter as long as it would be effective in hurting the assailant. It taught you that the simple straightforward techniques would be quick and effective assuming they were well targetted at the assailants vulnerable areas.

Then I worked on my Shiotsuki inspired combination a bit more. The Shiotsuki series is the same simple kata but just using a different block so down block for No.1, inside block for No.2 etc. I was thinking about simplifying my combination to focus just on expanding the applications from the down block and stepping punch but it didn’t seem to work very well. Again it was good to have a bit of time to try out a different approach to see if it worked.

I’m certainly enjoying using these little practise sessions to try out different ideas at my own pace. Iain Abernethy uses the example of an acorn containing everything needed to ultimately become a tree with it’s many branches to try and describe how a kata can represent a whole system of combat. It feels like a similar idea can represent the wealth of information I receive through my club training that then needs to be unpacked further, examined and practised.